Our goal was to design Roman Capitals that were smoothly designed with a brush, not carved. The main idea was based on the fundamental brush strokes that are commonly studied when you practice Romans. That’s why many Serifs have these unfinished terminals. During the lowercase process, I was still following Foundational calligraphy with a flat brush. My Turquoise Capitals were then adjusted and redesigned at the Tipobrda calligraphy workshop in Slovenia.
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